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  Bone Gods

  ( Black London - 3 )

  Caitlin Kittredge

  Pete Caldecott is trying to survive in Black London without Jack Winter, her teacher and closest friend.

  After Jack was turned into a demon, he went to live far out of reach...in hell.

  But for Pete, surviving is no easy matter.

  The Black is rife with turf wars between mages and necromancers, the witch-hunting Order of the Malleus has resurfaced, and the gods themselves seem to be at each other's throats.

  Then Jack reappears, as the head of hell's army, and Pete has to choose between Jack, and her duties as a Weir—which demand she kill him to save the world from certain destruction...

  Bone Gods

  (The third book in the Black London series)

  A novel by Caitlin Kittredge

  PART ONE

  PURGATORY

  My utterance is mighty

  I am more powerful than the ghosts

  May they have no power over me

  —The Egyptian Book of the Dead

  CHAPTER 1

  The dead man lay in repose at the feet of Ramses II. His blood had dried long ago on the marble floor and left a rust-colored halo about his head. One of the dead man’s hands stretched outward, his fingers curled like an oak leaf in the dead of winter.

  Pete Caldecott watched the dead man from the doorway of the Egyptian Room. Early morning light lit the white-suited crime scene investigators and the somber blue-jacketed Metropolitan Police officers like a cluster of ghosts, even though every one of them was flesh and bone.

  Involved in watching as she was, she jumped when a hand touched her arm. “Got you a tea,” Ollie Heath said, passing over a cardboard cup. “Not that shite stuff we have down at the nick, either—posh British Museum tea.” He swigged from his own paper cup, a bit of brown liquid dribbling out to land on his shirt.

  “Cheers.” Pete took a sip, noting in passing that the tea was, in fact, quite good. “What’s all this, Ollie? Your boys can’t handle a bit of straightforward murder amidst the mummies?”

  Ollie grimaced at the tea on his shirt. “Call came in at about five a.m.—body in the British Museum. Thought it was some kids taking the piss at first. ’S like something out of bloody Agatha Christie, right? Anyway, they kicked it to the DI in the rotation, I got the crime scene boys in for a look, and it was all going along fine until the medical examiner went to move the body.” Ollie stopped talking, and Pete watched his usually flushed cheeks drain to pale. “She found, well…” He cleared his throat. “You need to see it for yourself.”

  Pete handed Ollie her teacup and ducked under the tape blocking off the Egyptian collection. It was eight in the morning, nearly. The museum would be wanting to open in a scant few hours, and Ollie’s boys had been doing a fine job of getting things cleared away from view of gawking tourists, screeching schoolkids, and the odd homeless bloke until something had spooked them.

  She accepted a pair of gloves and paper booties from the plod manning the tape as she considered that. Ollie was, outward appearance and broad Yorkshire brogue not withstanding, a good copper with a dozen years in the Met, half of those manning a desk in a Murder Investigation Team. He’d seen the worst people had to offer, all of the various permutations and perversions of death they could dream up. Pete didn’t really want to know what could shake Ollie Heath so much he was hanging back like a first-year probie.

  But since he’d called her, it was a fair bet that whatever had shaken Ollie and his team wasn’t any of the usual murder, rape, and torture police counted as routine. If it were murder, rape, or torture of the garden variety, Pete would still be asleep. Murder of the freakish, occult variety—that would make Ollie pick up the phone.

  Pete intercepted the medical examiner a few feet from the body. The woman was a new face since Pete had chucked her DI desk at the Met for the freaks, the occult, and the walking movie monsters, and she looked Pete up and down with an unreadable expression.

  “Hello,” Pete offered, along with her hand. “Ollie might have told you he asked me to have a look. I’m Pete Caldecott.” The last thing she wanted to do was go treading on toes and starting gossip all over again about the crazy ex-DI who’d taken up with that crazy shite some New Age gits and mumbling schizophrenics called magic.

  Which was all true, except for the part about it being shite. It wasn’t, at least not completely. But Pete found that accepting that magic existed, that it was threaded all through their city as surely as roads and rivers and rail track, was the sort of hill most people weren’t willing to hoof over.

  “Of course.” The medical examiner shook Pete’s hand. “Dr. Annika Nasiri. Heath told me you might have some insight into the … condition … of the body.”

  “Might,” Pete said. “Can’t say until I see it.”

  Nasiri stepped aside. “Heard you used to be a detective. I trust that you know enough not to contaminate my evidence?”

  “I’ll try and hold back from smearing DNA all over him,” Pete said, kneeling next to the dead man. She made a mental inventory of the victim, as if she were still a cop—white male, early forties at a glance, a little ginger hair up top and a lot on his chin, cultivated the sort of beard favored by adjunct professors and kiddie fiddlers. No injures apparent, aside from the gaping second smile in his throat, of course, and the blood pool under him, nearly as wide as Pete was tall, seeping into the base of the Ramses bust that glowered above her like an irritable graven image.

  “You have a guess as to what they cut his throat with?” Pete asked Nasiri, out of habit. Perhaps she’d get lucky, and it would be as simple as a jealous colleague or a spat over a girl, or a boy. Nothing that needed a person familiar with sacrifice and ritual killing to pin the slit throat and the peculiar placement of the corpse as such.

  The doctor consulted her tablet PC, screen covered in handwritten notes around an electronic diagram of a body, with the wounds picked out as shaded portions. “Some kind of single-edge blade, long and thin,” she said. “Until I’ve made examination of the wound in my lab I can’t be more specific, I’m afraid.”

  “Right then,” Pete said, deciding that if Nasiri wasn’t going to be forward, she would. “What’s spooked you so much you won’t come within three feet of the dearly departed?”

  “When my crew started to move the body, one of them lost their grip,” Nasiri said. Her throat bobbed as she swallowed, and her voice constricted down to just above a whisper. “The victim’s shirt slipped open.”

  Pete leaned over and tugged aside the collar of the dead man’s cotton Oxford. Her breath hitched in her throat. When she saw his flesh, she understood why Ollie had called.

  Cuts covered the dead man’s torso, slices and slashes so precise and intricate they’d make Jack the Ripper weep happy tears. Lines and loops and circles, deep and shallow, cuts over cuts over scar tissue, inflicted over years. Newer wounds had been cauterized, the skin around them black with infection. The older scars grew together, twined like white, shiny vines in a fleshy garden.

  The scarring and cutting interlocked to form symbols that had no heads and no tails, but were a continuous pattern over every centimeter of visible skin. They traveled from just under the dead man’s collar, down his chest, and over his stomach, disappearing into the waistband of his trousers. They were nothing familiar to Pete, which was troubling in and of itself. Magical symbolism worked as a kind of shorthand, across all the various disciplines and religions contained within—a pentagram could be co-opted by hairy-legged hippies, true, but it was also shorthand for a white witch, to tell things from the nasty side of magic to step the fuck off.

  These symbols were practiced and deliberate, and Pete couldn’t make sense of them
, except that they made her head hurt, deep down near the base of her skull. The power in the dead man’s skin vibrated her back teeth, the power that the carvings gave off nearly palpable, like the stench of decay would be in a few more hours. No wonder Ollie and Dr. Nasiri were giving him a wide berth. You didn’t need a talent to sense when something unnatural and rotten was in your psychic space. It was a simple human survival mechanism, to recognize the Other, and run from it fast as your two feet would take you.

  Ollie’s voice made Pete start, heart slamming against her rib bones before it began hammering again. “Well?”

  Pete pulled the dead man’s shirt open fully, exposing the spreading ruin of scar tissue, down both his arms and peeking out from his cuffs as well. “I think it’s good you called me.”

  CHAPTER 2

  Ollie took Pete outside, to get a breath of air he said, but Pete knew the real reason and she was just as glad to leave the oppressive web of black magic around the body as Ollie’s subconscious was.

  They stood on the steps of the British Museum, its long gravel lawn and the iron gates holding back the world, which passed beyond them without a care or a notion of what had taken place behind the museum’s granite edifice.

  Pete took her pack of cigarettes from her bag and lit up, waiting for Ollie to speak first so she could gauge his mood.

  “So,” he sighed after she’d taken a few drags. “We’re in the shit with this one, aren’t we?”

  “Just a bit,” Pete agreed, flicking ash onto the museum’s steps.

  “What, then?” Ollie said. “If it’s cults or a serial bloke taking orders from the neighborhood Alsatian, I’d like to know now before the press come howling over my threshold.”

  Pete sucked on her Parliament to buy her a few seconds, but it didn’t change the answer. “It’s black magic, and fucking strong stuff. I could feel it all the way across the room. Beyond that…” She watched the smoke dissipate into the bright morning air. “I don’t know, Ollie. I’ve never run into anything like this before.”

  “You can’t, I dunno…” Ollie gestured in a vague circle. “Read the scene? Sense the vibrations of the ether or summat?”

  Pete sighed. “Maybe if I were a bloody TV psychic, Ollie. I’ve told you, it doesn’t work that way for me.” It being a talent, and Pete’s talent being even less use than a fake medium’s in situations like the one inside. Murder wasn’t something she could conjure an answer to, besides feeling the black magic seeping out of the museum even now, laying cold bony fingers on the back of her neck.

  Ollie waved her smoke away from his face and fidgeted, the next bit not coming to him easily. “You think you could get your Jack to take a look? I’ve seen him do all the mumbo-jumbo stuff.” He squinted at Pete. “You two didn’t split up, did you?”

  Pete dropped her fag-end to the granite steps, grinding it under her toe. Ollie was just fishing for a reaction. She was careful not to give him one. “No. Jack’s not about anymore.”

  “Oh,” Ollie said, sounding almost disappointed. “Well then,” he continued, after a moment where Pete watched a valiant struggle not to ask for gory details play out in his florid face, “anything else you can give me about the dead bloke? Preferably something I can use to put a squeeze on whoever did him a bad turn?”

  Pete breathed in, out, clearing her lungs of smoke and her mind of the tight squeeze of emotions that Jack’s name conjured up. As if she’d called his ghost into being, she swore she could hear his raspy laughter from just behind the next pillar, smell his scent of leather and stale tobacco and soap and whiskey, see a curl of blue across the air, the visible tinge of the magic that followed Jack everywhere he went.…

  But she couldn’t see it, not really. Because Jack was gone. And he wasn’t coming back.

  “Pete,” Ollie said. “Hullo. Come back. I could use the assist. Hasn’t been a banner year for clearing cases, since me brilliant lady partner shoved off for the private sector.”

  Pete rubbed a hand down the side of her face. She couldn’t speak to the dead or even know by sight and sense what kind of spell she’d stumbled onto, but she could at least act like she had a brain in her head. “Give me his particulars. Maybe I can scare up his contacts or at least tell you what his poison was, sorcery-wise.” She didn’t have much in the way of a useful talent, but she could at least talk to the people who did, which was more than Ollie would get. He’d be lucky if he didn’t get his heart pulled out, or at the very least his head stove in.

  Ollie consulted his PDA, a blipping, annoying little device that Pete had always thought he put entirely too much stock in. “According to the museum’s human resources, the name’s Gerard Carver, he was an assistant curator of the Egyptian Collection, an excellent worker according to his boss (a Mr. Something-Egyptian-with-Ten-Thousand-Syllables), diploma from London City College, nary an enemy in the world as far as the museum was concerned.” He scrolled through the notes. “Lives with his mum in Knightsbridge. Ah, shite, I’m going to have to be going there next.” Ollie closed his eyes and sighed. Pete had all sympathy—telling someone their son was dead wasn’t a task anyone should have to do with regularity.

  “I’ll find out,” Pete said. “I’ll need to get a few pictures of the marks. That all right?”

  Ollie grimaced. “Officially, no, but go and be quick about it. Newell could have me out on my arse if he even knew you were here.”

  Pete nodded her thanks. Nigel Newell, her old DCI, was about as stolid and unimaginative an officer as any Channel Four procedural could have thought up. His last words to Pete before she’d left the Met had been How disappointing you’ve let your imagination run away with you. Not having to contend with Newell every day was one of the few upsides that Pete had found in quitting.

  Before she could express her thoughts about what exactly Newell could do to himself if he found out Ollie had called her, a blond man came across the lawn, waving and shouting something Pete couldn’t make out. She shaded her eyes with her hand. “Who the fuck’s that?”

  Ollie sighed. “Frederick McCorkle. New partner,” he explained. “Useless as an armless lesbian with a box of dildos, that one. Freddy!” he bellowed, waving at the man. “You’re bloody late!”

  He descended the steps to berate McCorkle further, leaving Pete by herself.

  She turned away and went back into the museum, across the broad modern lobby, past the glass case holding the Rosetta Stone, past the winged Assyrian statues arranged as they had been in their birthplace, as gates into a stranger world. It shouldn’t sting that Ollie had finally gotten around to being assigned a new partner. She’d been gone from the Met for over a year. If she was going to come back, she’d be back. Ollie should be moved on, and the only sorrow she should feel was that Newell had saddled him with some baby-faced detective constable, still dazzled at the thought of being in plainclothes.

  She walked past the smaller pharaohs—at least in relation to Ramses—and back to poor Gerard Carver’s corpse. Whatever his proclivities in life, bleeding out on a cold floor was a hard end for anyone. But it wasn’t as if he’d been a victim chosen out of a hat. Jack had at least taught her that the innocent and pure rarely got swept up in the undertow of black magic completely without their accord. People turned to sorcery for lots of reasons, most of them utterly mundane, and those people usually ended up exactly like Carver, plus or minus a few stab wounds.

  Magic wasn’t really so different from everyday life. People were petty, selfish, spiteful bastards no matter what side of the river you walked on. Pete took her mobile from her bag, tapped over to the camera screen, snapped a clear shot of Carver’s exposed torso. She shoved the phone back into her bag before Nasiri caught her.

  Again, this close to the corpse, she felt the vibration in the air, the spells that the symbols on Carver’s body had woven when he was alive lingering as if a cluster of spectral flies still hovered above the dead man’s carcass.

  Jack would have known exactly what type of spell Car
ver’s murderer had woven around him. He could see the fabric of spells, as clearly as Pete could see the dead man himself. Jack could have told Ollie what breed of sorcerer had cast the abominable thing, and likely what sort of biscuits he fancied and what pub you could find the bastard in. Jack had a sight that most people never opened their eyes to, least of all those with a talent as prodigious as his. Being magically and psychically inclined left you with roughly the same brain chemistry as a schizophrenic enjoying the world’s most realistic acid trip. Jack kept himself together better than most, but seeing everything was far more than anyone could accept. There had been the drugs, the year-long blackouts, the suicide attempts, and the associated symptoms any normal person would tell Pete she was well rid of.

  She couldn’t argue, and she couldn’t force herself to see things her mind simply wouldn’t wrap around the same way Jack’s did. She could only observe, and record, and try to solve her side of the mystery the old-fashioned way, with skills she’d learned at the Yard rather than from her talent.

  Her talent didn’t lend itself to exposing black magic, to fighting monsters and seeing ghosts. She was only a vessel for talent far greater than her own, like a transformer on a wire.

  She backed away as the medical examiner’s team, fortified against the markings on Carver now that Pete had gotten close and not burst into flame, laid down a body bag next to the dead man and prepared to roll him into it. Pete was done with Carver, and done with the knocking of his mutilated corpse against her psychic senses. She needed to be outside, away from the site of Carver’s murder and the older, darker magic of the artifacts at rest around her. It was warm and amber, scented like honey, seductive as a warm pool of water that invited her to slip under and forget.…